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Vous avez sélectionné:
Something For The Pain
Partitions à imprimer
105 partitions trouvées
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101
Richie Sambora: Something For The Pain for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Rock
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Richie Sambora
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Virtualsheetmusic
Instantly printable sheet music by Bon Jovi for guitar (tablature) of MEDIUM skill level. / rock
Instantly printable sheet music by Bon Jovi for guitar (tablature) of MEDIUM skill level. / rock
$7.97 ≈
7.43€
Richie Sambora: Something For The Pain for guitar
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Paroles et Accords
#
INTERMÉDIAIRE
#
Rock
#
Richie Sambora
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Virtualsheetmusic
Instantly printable sheet music by Bon Jovi for guitar (chords) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Bon Jovi for guitar (chords) of MEDIUM skill level. / pop,rock
$4.97 ≈
4.64€
Desmond Child: Something For The Pain for bass
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Basse electrique
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INTERMÉDIAIRE
#
Rock
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Desmond Child
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Virtualsheetmusic
Instantly printable sheet music by Bon Jovi for bass (tablature) (bass guitar) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Bon Jovi for bass (tablature) (bass guitar) of MEDIUM skill level. / pop,rock
$8.97 ≈
8.37€
Bon Jovi: Something For The Pain for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
#
Rock
#
Bon Jovi
#
Virtualsheetmusic
Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill level. / pop,rock
$8.97 ≈
8.37€
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 6: Le Château
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.80€
Boy at Sea for TB and piano
Boy at Sea for TB and piano
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Chorale 2 parties
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FACILE
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Adrienne Inglis
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Boy at Sea for TB and piano
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pa...
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Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea” time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
$1.99 ≈
1.86€
Fitch Overture for chamber orchestra
Fitch Overture for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
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Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00 ≈
9.33€
Ascension, Salute the Everlasting Day
Ascension, Salute the Everlasting Day
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Chorale SATB
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Stephanie Martin
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Ascension, Salute the Everlast
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Biretta Books
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.879630 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Books #3518615. Published by ...
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Choral Choir (SATB) - SKU: A0.879630 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Books #3518615. Published by Biretta Books (A0.879630). Stephanie Martin’s Ascension, Salute the Everlasting Day is written in a festive anthem for SATB choir (div.) and organ for the Feast of the Ascension. The anthem was commissioned by Dr. David and Ann Stinchcomb as part of the 2014-15 Friends of Cathedral Music program at the Cathedral of St. John, Albuquerque, New Mexico, USA.Text: John Donne (1572-1631)STEPHANIE MARTINCanadian composer and conductor Stephanie Martin is associate professor of music at York University’s School of the Arts, Media,Performance and Design; artistic director of Pax Christi Chorale; director of Schola Magdalena (a women’s ensemble specializing in chant and medieval polyphony) and past director of music at the historic church of Saint Mary Magdalene in Toronto.Martin holds degrees from the University of Toronto and Wilfrid Laurier University, and is an Associate of the Royal Canadian College of Organists. In York University’s School of Arts,Media,Performance and Design she teaches music history, composition, harpsichord and organ, and coaches historical ensembles.ReviewsWhen someone says new music, most people imagine something abstract or conceptual, probably dissonant and experimental...Martin is a great tone painter who serves her texts with great attention to detail while also drawing the us along in a broader musical narrative...Martin, who was director of music at Toronto’s Church of St Mary Magdalene for several years, is particularly effective in setting texts with a devotional bent.John Terauds Musical Toronto & Toronto Star
$3.90 ≈
3.64€
The Painter
The Painter
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Guitare
#
INTERMÉDIAIRE
#
Contemporain
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Lance Olivieri
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The Painter
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Lance Olivieri
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966143. Published b...
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Solo Guitar - Level 3 - SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966143. Published by Lance Olivieri (A0.1025659). The Painter was inspired by living my life close to an artist. I wanted to portray the difficulty, passion and elation an artist of any type experiences when creating a piece that aims to express emotions or a meaning that is something not tangible; the enlightening that an artist feels when a painting finally comes together after a long struggle for the subject, composition and color. It consists of 3 separate parts or conversations she is having with her work. 6th string to D, 2nd string to Atuning allows for an ease to fingering.
$1.99 ≈
1.86€
The Glow Worm
The Glow Worm
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Piano, Voix et Guitare
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Johnny Mercer and Paul Lincke
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The Glow Worm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-00002...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000275. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000275). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.72€
Hooray for Hollywood
Hooray for Hollywood
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Piano, Voix et Guitare
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Johnny Mercer and Richard A
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Hooray for Hollywood
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-X...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000265. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000265). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.72€
Huntress Gallop for Solo Flute
Huntress Gallop for Solo Flute
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Flûte traversière
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INTERMÉDIAIRE
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Darian Thompkins
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Huntress Gallop for Solo Flute
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Darian Thompkins
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 3 - SKU: A0.1226835 Composed by Darian Thompkins. 20th Century,Broadway,Contest,Festival,Instructional,Musical/Show,Vid...
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Flute Solo,Soprano Flute - Level 3 - SKU: A0.1226835 Composed by Darian Thompkins. 20th Century,Broadway,Contest,Festival,Instructional,Musical/Show,Video Game. Individual part. 1 pages. Darian Thompkins #822840. Published by Darian Thompkins (A0.1226835). Huntress Gallop is a piece written for Solo flute. This piece will make your practice sessions fun and effective. Dynamics, accents, and rhythms paint a picture of an elegant and prowess huntress galloping through the forest. The Huntress Gallop is for both intermediate and advanced flute players who need something simple for the eyes but alluring to the ears. The goal for this piece is to see how accurately you the performer can execute the dynamics and accents while the huntress rides. The accents symbolize her bow as various shots are fired and the dynamics show her skill as a hunter quiet while looking for her prey then loud as she draws near to her prize. At the end of the piece, she claims her bounty after a long venture through the wilderness.
$1.99 ≈
1.86€
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Conte...
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99 ≈
9.32€
Something For The Pain
Something For The Pain
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Guitare notes et tablatures
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Rock
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Bon Jovi
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Something For The Pain
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Bon Jovi. For guitar. Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music...
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By Bon Jovi. For guitar. Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.65€
Jesus and the Pharisees
Jesus and the Pharisees
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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John Partridge
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Jesus and the Pharisees
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John W Partridge
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.980933 Composed by John Partridge. Christian,Contemporary. Octavo. 15 pages. John W Partridge #3667211. Publishe...
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Choral Choir (SATB) - Level 4 - SKU: A0.980933 Composed by John Partridge. Christian,Contemporary. Octavo. 15 pages. John W Partridge #3667211. Published by John W Partridge (A0.980933). This SATB anthem paints a sound picture of Jesus' triumphant entry into Jerusalem. A challenging piece for the choir that wants something spectacular and a little different for Palm Sunday.
$3.00 ≈
2.80€
Angels from the Realms of Glory
Angels from the Realms of Glory
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Piano seul
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AVANCÉ
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Noël
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Henry Smart
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Terrence Niska
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Angels from the Realms of Glor
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950933 Composed by Henry Smart. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466319. P...
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Piano Solo - Level 5 - SKU: A0.950933 Composed by Henry Smart. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466319. Published by Niska Music Publishing (A0.950933). As filled with a sense of hopelessness that O Come, O Come, Emmanuel is, this prelude is brimming with unbridled joy; from the thunderous opening to the bell-ringing ending. With influences ranging from Handel to Mannheim Steamroller, I wanted to write something that expresses the full glory of this hymn. While the hymn itself has 7 verses, I only chose to use four of them including the fifth verse referencing Sinners…doomed for guilt to endless pains where I moved to a minor key before coming back for the final verse and a return to the musical material of the opening.
$3.99 ≈
3.72€
Song for Carolyn
Song for Carolyn
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Piano seul
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Contemporain
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Pat Holmberg
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Song for Carolyn
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Patricia Tanttila Holmberg
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SheetMusicPlus
Piano - SKU: A0.1090238 Composed by Pat Holmberg. Contemporary. Full Performance. Duration 126. Patricia Tanttila Holmberg #19449. Published by Patricia...
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Piano - SKU: A0.1090238 Composed by Pat Holmberg. Contemporary. Full Performance. Duration 126. Patricia Tanttila Holmberg #19449. Published by Patricia Tanttila Holmberg (A0.1090238). A simple, melodic, acoustic piano piece. My friend Carolyn asked me to write a song for her. She is an artist, and reciprocated by painting a portrait of me. So we had a fun trade. I tried to capture something of the warmth of her personality, especially in the middle part.
$1.99 ≈
1.86€
Something For The Pain
Something For The Pain
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Piano, Voix et Guitare
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Rock
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Bon Jovi
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Rock
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Something For The Pain
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Bon Jovi. For piano, voice, and guitar (chords only). Pop; Rock. 9 pages. Published by Hal Leonard - Digital Sheet Music...
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By Bon Jovi. For piano, voice, and guitar (chords only). Pop; Rock. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.65€
To Home for SA and piano by Martha Hill Duncan, Poetry by Janet Windeler Ryan
To Home for SA and piano by Martha Hill Duncan, Poetry by Janet Windeler Ryan
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Chorale 2 parties
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FACILE
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Contemporain
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Martha Hill Duncan
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To Home for SA and piano by Ma
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Martha Hill Duncan
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.969161 Composed by Martha Hill Duncan. Contemporary. Octavo. 9 pages. Martha Hill Duncan #6133005. Published by Ma...
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Choral Choir (SA) - Level 2 - SKU: A0.969161 Composed by Martha Hill Duncan. Contemporary. Octavo. 9 pages. Martha Hill Duncan #6133005. Published by Martha Hill Duncan (A0.969161). To Home Deep as the sea and boundless as the night-time Home its every echo embraces firm and fast images of childhood and reflections of the past Mirrors of the memories and the questions never asked Questions never asked, so questions never answered Mirrors of myself, or glass reflecting something else?© 2011 Janet Windeler Ryanfrom Searching the Painted Sky, The Opera
$2.14 ≈
2.00€
Another Day
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95 ≈
4.62€
The River
The River
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95 ≈
4.62€
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,” from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5 Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.35€
Back to the Heart
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95 ≈
4.62€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.66€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Piano Facile
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DÉBUTANT
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Classique
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmller
Ballade, Op. 100, No. 15 Friedrich Burgmller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vlocit, Op. 109, No. 10 Friedrich Burgmller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.72€
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